Epic Flatwork Compass for Leaping & FreeFlowing Flatwork

Communication on the fly is a key element of disc dog freestyle and disc dog game play. It is a good idea to have a clear and concise communication system to make on the fly decision making a successful endeavor. Nobody wants to be handcuffed by pattern training. The Flatwork Compass provides a simple and elegant communication system that is based upon natural movements and canine/human pressure and body language.

In this lesson, Epic and I try to work some leaping with a standard Flatwork Compass and then move into some on the fly decision making and large scale flatwork using the elements and communication concepts of the Flatwork Compass.

This video is part of the 4th installment of DiscDogger Weekly, an online show in playlist format produced and hosted by Pawsitive Vybe.

The Pattern

The Flatwork Compass relies on a simple pattern, and it is this pattern that creates a framework to ensure that dog and handler learn how to move together in a standard fashion.

The pattern is an alternating series of directions and shapes: Clockwise Flank and Counter Clock Flank, Clockwise Pass and Counter Clockwise Pass. This alternating, this then that, framework creates a simple and elegant lesson that is both easy to execute and easy to read both the similarities and differences between all four skills.

0:15 | Throw 1: Backhand to 2 o clock | Throw 2: Sidearm/Overhand Wristflip to 10 o clock | Throw 3: Backhand to 6 o clock | Throw 4: Sidearm/Overhand Wrist Flip to 6 o clock
Rinse & Repeat

Relying on the clock dial in relation to the handler, 12 o clock being directly out in front of the handler makes spatial awareness and direction as simple as it can be made. It also eliminates the left / right conundrum of whether or not we are talking about the dog and that left and right changing based upon the dog’s direction of movement. Our convention is that Green is clock and Blue is counter.

Simply alternate clock then counter: 2 o clock… 10 o clock… clockwise to 6 o clock, counter clock to 6 o clock. 4 throws, all 4 directions of team movement. Doing them in order both challenges the team to be clean and efficient and ensures that all directions get equal attention.

Blocking With Pressure

Getting set up efficiently is a key part of disc dog freestyle. It is not often practiced as a discrete skill, and it’s almost never practiced in a systemic manner.

When the dog is returning to the handler after each rep, the handler has to wrangle the dog. This is done by blocking the dog with positional pressure. This positional pressure can be active or static depending upon the desired intensity.

The pressure is applied primarily with the legs, but can and often should be supplemented with the upper body and the disc. Pressure is applied by the leg that is furthest away from the dog being forward. This forward position turns the handler’s body into the dog on approach and sets up Front position before the dog hits the handler. If the pressure is not applied before the dog arrives at the handler, the dog is likely to slide by.

0:55 | In this image Eppie is coming in towards me. I’m applying pressure towards him by putting my leg forward so that the front of my body turns towards him. The Flatwork Compass teaches the dog how this pressure works and how to respect and respond to it.

Throw Well and Throw With Intent

Throwing with Intent is a key aspect of the Flatwork Compass. The handler must have the situational and spatial awareness and be able to read the dog in order to throw with intent. This can be a tough lesson to learn and it can be difficult to develop the skills on the fly with your rabid frizbeast rampaging all over the field steamrolling any human and obstacle in her path.

The simple framework of the Flatwork Compass simultaneously sets up a simple learning and training opportunity and poses a serious challenge. The pattern makes the reading and situational awareness quite easy but challenges the handler to put it in the right place at the right time.

Dog Sees the Release

The dog actually seeing the release is an important piece of the team movement and catching puzzle. Without it, the handler is really on the hook for making perfect tosses at the same time the dog is on the hook for saving the handler’s bacon. That might be exciting, but it is not a recipe for success.

1:27 | On this Pass Eppie is looking directly at the release. If the dog can see the release before taking off running down field, the dog is targeting the disc from the hand. This targeting from the hand to the mouth reinforces catching and thoughtful pursuit.

A well executed Flatwork Compass teaches dog and handler to hook up, with intent and understanding, on every throw. It sends the throw on a direct line from the handler’s hand to the dog’s mouth with both members of the team cognitively and cooperatively executing their job and being responsible for the team’s function.

If the dog goes… Don’t Throw!

Expressions in Flatwork

The team movement and athletic concepts and skills from the Flatwork Compass are exactly the same as the concepts and skills in Flatwork. The Compass is just the essence of that team movement and athleticism.

The positional pressure and human / canine communication is standard and the throwing motions and athletic movements are also standard athletic locomotion. This is how throwers move and it is how dogs move with humans.

Flank

The Flank is more than “out to the side” or “running in a circle”. It is directional movement with the handler. It is not antagonistic or oppositional in nature at all.

Stepping forward in the direction we are throwing helps the dog to move with and give to that pressure. The whole flanking process in the Flatwork Compass teaches the dog to bounce out in the direction the handler is moving when pressure is applied.

1:52 | The disc on the right is the one being thrown, my foot is pointing towards it. This foot position and resultant pressure is something the dog learns to read and the handler learns to apply so that when we’re on the run we know what we’re doing and where we’re going.

Pass

The Pass is an oppositional movement. The dog approaches the handler, running at us, then leaves in a straight line in pursuit of the disc.

The Passing moves in the Flatwork Compass are completely focused on controlling this operation and making it a team movement. The antagonistic pressure to start holds the dog and keeps him honest until we switch the feet and start to pull with pressure in the intended direction.

2:08 | This move started with me facing Eppie with my left leg forward. I shifted my legs, so my right foot was forward, opening up to pull him down the chosen line. If you check out the video you can see that I changed his direction and locked him in with this movement and it is exactly the same movement as the Flatwork Compass and my normal throwing behavior.

The Flatwork Compass takes control of the Passing maneuver and makes it highly unlikely that you will get steamrolled or pressured by your dog whil Passing. It puts the handler in control and makes the skill a team movement.

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When the dog leaves the handler for a catch, that tends to create a line. When the dog is away from the handler and moves across the field to make a catch, as in a Zig Zag or Around the World, that tends to create a Shape.

Patron’s Choice: Shaping the Leaping Catch | Freestyle and the Leaping Catch

Shaping a Leaping Catch can, and should be a full time job. Always throw with the intent to deliver the leaping catch unless working something specific that requires a specific approach, speed or distance that is incompatible with a leaping catch. Out throws are glory, not afterthoughts.

Within a game of disc dog freestyle there are many opportunities to reinforce and shape the leaping catch and to turn the speed regulation required for the leaping catch into a habit that is ever present in your freestyle game.

On Shapes in Disc Dog Freestyle

Shapes are more than just the trail left by the dog on the field, and the patterns created by the dog after the catch. Shapes differ from Flatwork, and higher level Shapes should not rely solely on how the dog releases after a catch. Shapes are how the dog moves to navigate the catch.

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